Showing posts with label The Short Story Initiative. Show all posts
Showing posts with label The Short Story Initiative. Show all posts

Wednesday, January 16, 2013

Natasha and Signs and Symbols by Vladimir Nabokov



     I’m in the middle of reading Azar Nafisi’s landmark novel/biography Reading Lolita in Tehran which is about an unusual book club in Iran. As the title suggests, Vladimir Nabokov’s Lolita plays a huge part of the story and Nabokov himself seems almost like a character in the book; so often is he mentioned, quoted and dissected.  It made me very curious about his work. So, I put aside Nafisi’s novel for a bit and went hunting for Nabokov’s short stories online. Sadly, I could only find two, but I definitely plan to read more of him this year.

Natasha

     Natasha is a strangely hypnotic story about a young girl who cares for her ailing father. One day her neighbor asks her out for a picnic and she happily goes along since her father seems to be recovering. I really mustn't say anymore because there isn't such a lot in terms of a plot anyway. It may seem predictable yet the ending really surprised me with its abruptness.

Signs and Symbols

     The story begins with an elderly couple choosing a birthday gift for their son who is being treated at a mental health facility. We learn that their son is suffering from ‘referential mania’ which is a form of paranoia where he feels that everything around him is concentrated on his existence alone. His parents reach the facility, only to be told that they cannot meet their son because he attempted suicide again and cannot be allowed to have visitors in this fragile state. The rest of the story follows the parents back home and stays with them through a terribly sad evening. The ending is poignant and so skilfully written.

     I cannot decide which one of the stories I liked more. Both were so haunting and affecting, yet so simple. Nabokov has a way of making up really simple characters, putting them in fairly commonplace situations and yet making the whole thing quite an extraordinary experience for the reader. You can read the stories here and here.

     I can’t decide which of his novels to read first. Lolita is of course his most iconic work, but Invitation to a Beheading sounds very interesting too.  Nabokov has also written a big bunch of short stories.  Anyone read any of these?

Saturday, November 24, 2012

The Short Story Initiative: Ismat Chugtai


     This month, for the Short Story Initiative, we are focusing on stories from India. As always, the theme isn't mandatory, but what a wonderful opportunity it is to explore a rich and varied literary goldmine. Nancy mentioned that she would like to read some stories by Saadat Hassan Manto. Mel U has covered Manto pretty extensively on his blog (Also the go-to place for a thorough and enlightening primer on the Indian short story). There has been a revival of interest in Manto’s works in the recent years, which is as it should be because Manto has long been an underrated gem. Manto’s stories have the kind of biting humor that stings and tickles at the same time. He wrote a bunch of really short stories (just a couple of lines each) about the partition of India which are brilliant. And this was long before the term Flash Fiction was even coined.

     Look at me going on about Manto when he’s actually not the subject of this post. Today, I want to talk about Manto’s friend and contemporary, Ismat Chugtai. Both Manto and Chugtai were tried for obscenity. Manto for Thanda Gosht( Cold Meat) and Chugtai for Lihaaf (The Quilt). The charges were eventually dropped but not before both writers had been saddled with a reputation of being controversial and shocking. It was even speculated that Ismat was in fact a male writer with a female pseudonym because her writing was too bold and unadorned for a woman. All this might lead you to believe that Chugtai was a rabble-rousing sensationalist. Nothing could be further from the truth. Chugtai spoke of the unspeakable but she did it with immense compassion and sensitivity. Her characters were set in a milieu that was her own so she understood their fears, hopes and idiosyncrasies only too well. But even if you are totally unfamiliar with the socio-cultural setting of her stories, they will strike a chord because of the honesty in her voice. To paraphrase a quote I read somewhere, “what is most personal is most universal”. You could buy just about any anthology of her works and read just about any story in it; you won’t be disappointed. However, I’d like to recommend some of my favorite works of Ismat Chugtai.

The Veil (Ghunghat)
     The Veil is about a strange battle of wills between a beautiful new bride and her insecure groom. Custom dictates that the groom must lift the bride’s veil before the marriage can be consummated, but Kale Mian is intimidated by his wife’s beauty and refuses to do so, leading to an impasse that lasts all their lives. The characters may seem caricature-ish at first glance but as the story unfolds, Chugtai makes you feel for not just the abandoned bride, but also the deluded husband.

The Quilt (Lihaaf)
     This is the story Ismat Chugtai was charged with obscenity for. You’d be quite bewildered at this if you read the story because Chugtai handles the sexuality with a very light hand. But the story was written at a time when even the slightest suggestion of homosexuality sparked an outrage. The Quilt is about Begum Jan, a bored and sexually frustrated housewife in a prosperous household who turns to a female servant for companionship and more. The story is narrated from the point of view of a young girl visiting Begum Jan.  The ending of this story is one of the best written ones I've ever read.

The Rock (Chatan)
     Chugtai is best known for The Quilt, but I think The Rock is a much better representation of her style and voice. It is about a man whose pretty young wife gradually loses all interest in her appearance. Her husband and family convince her that fussing over ones looks is shallow and completely unnecessary for a married woman.  Her complacence is shattered when a glamorous young woman moves in next door. Turns out, her husband is actually pretty shallow himself. It doesn't end there but I don’t want to give away the rest.

     Ismat Chugtai has a rich a varied body of work and I've barely scratched the surface here. I could easily recommend another five stories that I love equally as well and perhaps in the future I will. For now, let me urge you to give her stories a try. 

Tuesday, October 30, 2012

Tales of Mystery and Suspense

    


    This month I read a bunch of mystery stories and I had initially intended to do individual posts about each of them. But then, time got away from me and I was quite surprised to realize today that the month is nearly over. I’d like to get my post in before the Short Story Initiative monthly roundup so I’ve decided to do one post with my pick of the best mystery shorts I read this month. Sadly, when I got down to it, only three of the six stories I read seemed good enough to write about.

The Mystery of the Essex Stairs by Sir Gilbert Campbell
    This one is an old fashioned mystery of the sort that would appear in periodicals. It’s not an Agatha Christie kind of mystery where you have all the facts of the case needed to figure it out yourself. This is one of those mysteries where the detective (in this case a lawyer) pulls the killer out of his hat and presents us with a neatly tied up case and even a rather ridiculous confession. But I found the story very quaint and fun to read. If you enjoy courtroom dramas give this one a go.

The Fenchurch Street Mystery by Baroness Orczy
    I’ve only ever thought of Baroness Orczy as the writer of the Scarlett Pimpernel books, but apparently she has quite a repertoire of mystery and crime stories as well. Judging by this story, she was very good at it too. I will definitely be looking up more of her mysteries. This one is about the murder of a blackmailer by his intended target. The whole case seems very straightforward at first but obviously, it all unravels very soon. The story is very taut and clear with no holes to be found in the plot. Easily my favorite of the lot.

The Dancing Partner by Jerome K Jerome
    This is the kind of dark story that you would expect from someone who regularly dabbles in the macabre like Edgar Allen Poe not from someone who has written a book as funny as Three men in a Boat and Three men on the Bummel. The protanganist of The Dancing Partner is Nicholaus Geibel, a talented toy maker who specialises in clever mechanical toys. One day, listening in to a conversation between his daughter and her friends, Geibel strikes on an idea for a very ambitious toy. Although not strictly a suspense, it is sinister and menacing.

All three stories (and many more besides) can be found online here. Read and enjoy.

Friday, September 7, 2012

The Short Story Initiative: Getting to know each other


I've been a fairly regular participant of Short Stories on Wednesday ever since Risa started the event on Breadcrumb Reads. I had planned to keep it up when Nancy took over but I've been sporadic. Largely because this year has been super busy and my blogging has taken a bit of a backseat. Also, one Wednesday seems to follow the other at an alarming pace and I've barely managed to read a short story, leave alone blog about it. So, I think Nancy's idea to re-invent Short Stories on Wednesday as The Short Story Initiative is just the ticket. It takes away the weekly deadline while still giving me a structure to my short story reading. She's also posted a list of monthly themes which we may or may not adhere to. I think this is a great way to venture into genres that I would normally pass up . Read all about the it in this post.
      As part of the Getting to Know Each Other theme of this month, we answer some questions about ourselves and our short-story-reading ways :) Here's my bit:

1. Why do you want to join The Short Story Initiative?
I love reading short stories and I've learnt about a lot of new authors through bloggers participating in Short Stories on Wednesday.I'm guessing The Short Story Initiative will be even more informative with less pressure.

2. What kind of short stories do you read? Is there a specific genre or culture or nationality you would like to explore through short stories?

     I love all sorts of short stories and I'd like to read the great masters of short story writing. I also want to explore the literature of different cultures and nationalities. Nancy's focus on Philippine literature has been enlightening.

3. Who is your favorite short story writer? Why?
     Impossible to pick one favorite so I'm going to list a few. Fitzgerald, Chekov, Kate Chopin and Saadat Hassan Manto.


4. What is the most memorable short story you have read?
      Putois by Anatole France, Bernice Bobs her Hair by Fitzgerald and A Good Day for Bananafish by Salinger.

5. What is your experience with short stories in the past? Is it a good or bad experience?
     Mostly good. Largely good in fact. The great thing about short stories is that even if the story is not to your taste, you don't waste days over it.

6. Share one book confession when it comes to short stories?
     hmmmn... cant think of anything really. I think I've been good, so no skeletons in my short story closet.

7. Share something about yourself that has nothing to do with short stories.
     I'm gearing up to tackle Chaucer's Canterbury Tales once again . I hope to do a series of posts about it in 2013.