Shakespeare on Toast by Ben Crystal and Shakespearana around the Web

Before I go into what Shakespeare on Toast is all about, I’d like to tell you what it isn't.

•  It isn't a biography. Crystal doesn't concern himself with Shakespeare the man except when it has a bearing on his writing. You’ll learn very little about Shakespeare’s life that you didn't already know.

•  It isn't about conspiracy theories.  The book doesn't explore the authorship question. Crystal makes it quite clear that he doesn't really care who really wrote Shakespeare. The book doesn't delve into any of the other theories or speculations about Shakespeare either. Was he gay? Is he addressing a secret lover in his sonnets? Was he a bad husband? Don’t know, don’t care is the book’s answer.

•   It isn't Shakespeare for Dummies. The book doesn't attempt to deconstruct, simplify, summarize or try to feed you Shakespeare with a baby spoon. Some guides to Shakespeare are undoubtedly helpful when starting out with Shakespeare (the no fear series for instance) but so many of them seem either patronizing or so simplistic that they take all the beauty and complexity out of the plays.

•   It isn't a textbook. There are no discussions of facts or figures or grammar or chronology.

William Shakespeare is probably the most widely read and widely feared playwright in English literature.  His play’s have been acted, adapted and re-interpreted in so many different ways over the centuries. The very fact that they have thrived and provided entertainment in so many different era’s and cultures makes them deserving of respect. Unfortunately, this respect has, over time morphed into a snobbish reverence that scares away anyone who isn’t scholarly enough to ‘get’ Shakespeare.  Ben Crystal tries to break it down for you without dumb-ing it down.   Here’s what Shakespeare on Toast is essentially about:

Who was Shakespeare writing for?

According to Crystal, understanding the Bard’s intended audience is key to understanding his work. We are taken back in time to Elizabethan England to meet the people Shakespeare actually wrote his play’s for. Crystal explores the minds of these people. What scared them? What made them laugh? What were their cultural and political influences? This isn’t a boring history lesson. It really gives you a back story for Shakespeare’s work. For instance, Shakespeare wrote Macbeth (about the murder of a king) right around the time of the Gunpowder Plot. Topical or what?

Why he wrote the way he did?

Shakespeare never meant for his plays to be published or read. He meant for them to be performed. By actors he knew. Crystal shows us how each play is written with instructions to the actor coded into it. The way the sentences stop and start, the metre and rhythm of each verse, it’s all meant to help the actor create the maximum impact on stage. When you start to read it that way, you see a really different pattern emerging.

Crystal sprinkles the book with several amusing anecdotes and trivia. I especially liked the one where Schwarzenegger plays Hamlet and throw’s Claudius out of a window.  There’s also a really good breakdown of one particular scene in Macbeth, done to illustrate how Shakespeare wrote with his actors in mind.

I must confess though, Crystal lost me in the rather involved chapter on Iambic Pentameter.  I read poetry that feels good to me and have never really bothered with its structure or mechanics. So all this talk of syllables and metrical feet bored me a little. But even this is really just me being a nag. The book does just what it sets out to do. It de-mystifies Shakespeare and shows you what awesome fun he can be.

This is going to be my last entry for Shakespeare reading month, though definitely not the last I read of Shakespeare. This event has really rekindled my love for the Bard I’m really glad I played along. I hope Allie thinks about making this an annual event.

Here are some rather novel adaptations of Shakespeare. More proof, if you needed it, that Shakespeare can work in any setting or form.

Raymond Chandler’s Hamlet by Jonathon Voss Post

This is a short story I found, which is a version of Hamlet written Raymond Chandler style. If you’re a fan of Chandler you’ll enjoy this I think. It’s a very short piece. Read it online here

Stick Figure Hamlet

Don’t have the time or patience to read through Hamlet? Have a go at this stick figure comic here

Venus and Adonis by William Shakespeare

Shakespeare’s plays maybe where all his glory lies but you cannot discount his poems. He was a very prolific poet with 154 sonnets, 2 narrative poems and several smaller poems.  He isn’t called The Bard for nothing. It must have been a natural progression for him since most of his plays are also written in verse. I haven’t read too many of his sonnets yet, but a narrative poem like Venus and Adonis is very like his plays. Complex characters, lyrical dialogue, a tragic bent to the story and those evocative Shakespearean metaphors.

Venus and Adonis is the story of the goddess Venus and her love for the mortal Adonis. The poem begins with Venus wooing a reluctant Adonis. She praises him very eloquently and tries to persuade him to sit by her and accept her kisses. But Adonis is unmoved and impatient to go hunting, so he shrugs her off and goes in search of his horse. His horse however, being of a more romantic temperament, runs off with a pretty mare leaving a frustrated Adonis without a ride. Venus returns to his side and redoubles her efforts to try and seduce him. Finally Adonis relents slightly and gives her a kiss but he will go no further. His heart and mind are set at hunting a boar. Hearing this, Venus is alarmed and tries to dissuade him. She advices him to hunt a less ferocious beast but Adonis is adamant. The next day the hunt is on and Venus follows along to make sure Adonis is alright but seeing the raging and frothing boar brings back all her worst fears. I’ll leave you to read the rest for yourself.

Obviously, Shakespeare didn’t think this one up all by himself. It is based on a tale in Ovid’s Metamorphoses. Shakespeare did however introduce several twists and new elements here. For one, Metamorphoses portrays Venus and Adonis as lovers but Shakespeare makes Venus lovesick and Adonis ‘frosty’ so there is a whole other kind of chase and hunt going on here in addition to the obvious hunting scene. There is also a very beautiful interlude when Venus, believing her lover to be dead, admonishes and riles against death (Hateful divorce of love,’—thus chides she Death,—‘Grim-grinning ghost, earth’s worm, what dost thou mean-To stifle beauty and to steal his breath,) then, hopeful again, she placates death and tries to flatter him into leaving Adonis alone. Venus and Adonis is also the most sexually charged work by Shakespeare that I've ever read.  I don’t know the tone Ovid takes on this so I can’t compare but Shakespeare’s Venus is not coy about her passion for Adonis.

The foreword of the poem had a very flattering dedication to Henry Wriothesley, 3rd Earl of Southampton, who was at the time, the bard’s benefactor. Shakespeare assures Wriothesley that he will soon come up with a graver piece of work if Venus and Adonis earns his patron’s approval. The graver work turned out to be The Rape of Lucrece, another narrative poem based on another Roman legend from Ovid’s book. Although The Rape of Lucrece is generally considered the more superior poem, I really like Venus and Adonis much better. It is less action-packed but far wittier I thought. I leave you with one of my favourite couplets from the poem.

"For where Love reigns, disturbing Jealousy
Doth call himself Affection's sentinel;

Gives false alarms, suggesteth mutiny,

And in a peaceful hour doth cry `Kill, kill!'

Distemp'ring gentle Love in his desire,

As air and water do abate the fire.

"This sour informer, this bate-breeding spy,

This canker that eats up Love's tender spring,

This carry-tale, dissentious Jealousy,

That sometime true news, sometime false doth bring,

Knocks at my heart, and whispers in mine ear

That if I love thee I thy death should fear;

A Midsummer Night’s Dream

     Shakespeare, to me, has always been about the great tragedies. Hamlet, Macbeth, Othello, King Lear, and Romeo and Juliet, I’ve read, re-read, heard and watched so many times and in so many different settings. But until now, I never got around to reading any of his comedies. Probably because I thought they could never match up to his tragedies or even the epic historicals. After all, when we think Shakespeare we don’t really think ‘funny guy’, do we? But this is where I was very wrong.  Shakespeare really is a funny guy and he can do tongue-in-cheek as well as slapstick equally well.  A Midsummer Night’s Dream is all kinds of funny.

     Theseus, the Duke of Athens is to marry Hippolyta, the Amazonian queen and celebrations are underway. Not everyone is celebrating though; there are lovers in turmoil. In a nutshell, Helena loves Demetrius who loves Hermia who loves Lysander.  Both couples end up in the woods outside Athens that night. Now the woods also happen to be where a group of workmen are practicing for a play they plan to stage before the Duke and his bride.  Add to that, Oberon the king of fairies and his queen Titania are having a spat. An angry Oberon instructs his servant Puck to sprinkle a magic potion over Titania’s eyelids which will make her fall in love with the first living thing she sees. Puck is also to sprinkle the potion on Demetrius so that he may love Helena. But Puck, unfortunately, gets his victims all mixed up with the result that now Demetrius and Lysander both love Helena, nobody loves Hermia and Titania loves an actor who has the head of an ass. As you can imagine, much confusion ensues.

     Now, I know all this sounds like a lot to take in, but I promise you, it isn’t. There is a lot happening in the play and never a dull moment but there was never a point when I didn’t understand who was who or what was going on. This is largely because Shakespeare gives each character a very distinct and unmistakable identity. The way each of them talks and behaves is so unique that you find yourself following along very smoothly. The comedy element is surprisingly modern, by which I mean, that it is still funny, even to an audience fed on a regular diet of stand up acts and sitcoms. I especially like the final scenes where the tragic play-within-the-play is being performed to great comic effect. I love the tongue-in-cheek comments of Demetrius, Theseus and Lysander.

   A Midsummer Night’s Dream is really a comment on the absolutely irrational and insane emotion that is love. All the characters are doing things they know to be crazy, all in the name of love. Speaking of her unrequited love for Demetrius, Helena laments:

Things base and vile, folding no quantity,    

  Love can transpose to form and dignity:

Love looks not with the eyes, but with the mind;

And therefore is wing'd Cupid painted blind:

Nor hath Love's mind of any judgement taste;

Wings and no eyes figure unheedy haste:

And therefore is Love said to be a child,

     Helena loves a man who loves another, Titania (albeit under the influence of the potion) loves a man who looks like an ass. Centuries later, people are still falling in love with the wrong ones, willfully blind to their flaws and all this without any assistance from Oberon or his magic juice.  Therein lays the enduring appeal of Shakespeare. Beneath all the kings and fairies and magic and long-winded verses, his stories are really about human frailties. Now that, never changes, and so, Shakespeare remains relevant and his stories continue to strike a chord.

book image http://book-covers.lucywho.com/william-shakespeare-book-covers-t30923.html

The Classics Challenge January Prompt

So here's how (I think) this works: Every month Katherine puts up a bunch of questions for us to answer on our blogs about the classic we are currently reading or have just finished reading. Just like you would do in any blog hop. Only here, there are three different levels of questions to choose from, based on how much of the book you have read. This month's focus is on the Author. I picked Shakespeare's A Midsummer Night's Dream as my first classic. I'm almost done reading it but I'm going to stick with the level 1 questions because this is after all Shakespeare Reading Month and I'll probably be going on about him quite a bit in the days to come so i'll start easy here. I'm sure Shakespeare is an auspicious start  to my blogging in 2012.

Who is the author? 

William Shakespeare

What do they look like?

Where did they live?

Stratford-upon-Avon was where he was born and raised. He spent his short retirement here and eventually died here. Most of his working life,however, was spent  in London.

Shakespeare's Birthplace

What does their handwriting look like?

Although no substantiated documents in his handwriting have survived, here is what his signature (is supposed to have) looked like.

What are some of the other novels they've written? 

Phew! that would be a long list. Shakespeare has written 38 plays, 154 sonnets, two long narrative poems, and several other poems. Some of his most famous play's are Hamlet, Othello, Macbeth, Romeo and Juliet and King Lear.

What is an interesting and random fact about their life?

Shakespeare never published any of his plays. All of his plays were published after his death.

My post about A Midsummer Night's Dream should be up in a couple of days. I hope you'll drop in then.